Cori Thomas’ plays include: When January Feels Like Summer; Pa’s Hat; Citizens Market; The Ballad of Ella May; My Secret Language of Wishes; The Princess, The Breast, and, The Lizard; The Unusual Love Life of Bedbugs and Other Creatures; Flight 109; The Hair Play; Waking Up; His Daddy; our lives, our fortunes, and our sacred honor. Cori’s plays have been developed and produced at Sundance Theatre Institute; City Theatre Company (Pittsburgh), Goodman Theater, New Dramatists, Page 73, Playwrights Horizons, Lark Play Development Center, Ensemble Studio Theatre, Going To The River, Pillsbury House Theatre, Mixed Blood Theatre, Mosaic Theatre Co; Central Square Theatre; Penumbra Theatre, Passage Theatre, The Working Theater, The Playwrights Realm, New Federal Theatre, New Georges, The New Black Fest, and The Black Rep. She has been commissioned by South Coast Rep Theatre, Sloan Foundation, Pillsbury House Theatre; Central Square Theatre; Ensemble Studio Theatre; Rattlestick Theatre; New Black Fest; The Working Theater. Cori is a Resident Playwright at New Dramatists. She has been a two time Sundance Fellow, a MacDowell Fellow. Her upcoming residencies include the Bogliasco Foundation and Baryshnikov Center. Awards and Honors: (When January feels Like Summer) American Theater Critics Association Osborn Award, Edgerton Foundation New Play Award. 2016 Finalist for The Horton Foote Playwriting Prize, two time Theodore Ward Prize Winner. Publications: When January Feels Like Summer at Dramatic Publishing. Cori is a co-founder of the nonprofit organization www.pashatfoundation.org which does work with former male child soldiers in Liberia, West Africa. She is represented by Leah Hamos at The Gersh Agency.