by James Ijames
Directed by Monteze Freeland
March 2 – 24, 2024
A co-production with TheatreSquared (Fayetteville, AR)
This uproariously funny, Pulitzer Prize-winning new play comes to us straight from Broadway! A modern revamp of Shakespeare’s Hamlet, Fat Ham follows Juicy, a queer, pensive, young Black man finding his way in the world, when the ghost of his father demands Juicy avenges his murder. Set at the family cookout, this “hilarious yet profound tragedy smothered in comedy” (The New York Times) examines love, loss, and a particular set of daddy issues.
CURRENT SHOWS
Fat Ham
Accessibility
Accessibility:
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Content Note
This production contains mature themes, strong language, mild violence, and discussion of suicide. It is recommended for ages 16+.
Sensory Warning
This production will use loud noises, strobing/flashing lights, and mild theatrical haze.
Detailed Plot Summary (Spoilers)
Talent
Featuring
James Iames
Playwright
JAMES IJAMES (Playwright) is a Pulitzer Prize winning playwright, a director and educator. James’ plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon, Wilma Theatre, Theatre Exile, Azuka Theatre (Philadelphia, PA), The National Black Theatre, JACK, The Public Theater (NYC), Hudson Valley Shakespeare Theater, Steppenwolf Theatre, Definition Theatre, Timeline Theater (Chicago IL) Shotgun Players (Berkeley, CA) and have received development with PlayPenn New Play Conference, The Lark, Playwright's Horizon, Clubbed Thumb, Villanova Theater, Wilma Theater, Azuka Theatre and Victory Garden.
James is the 2011 F. Otto Haas Award for an Emerging Artist recipient, and two Barrymore Awards for Outstanding Direction of a Play for The Brothers Size with Simpatico Theatre Company and Gem of the Ocean with Arden Theatre. James is a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for ....Miz Martha, a 2017 recipient of the Whiting Award, a 2019 Kesselring Prize for Kill Move Paradise, a 2020 and 2022 Steinberg Prize and the 2022 Pulitzer Prize in Drama recipient. James was a founding member of Orbiter 3, Philadelphia’s first playwright producing collective. He received a B.A. in Drama from Morehouse College in Atlanta, GA and a M.F.A. in Acting from Temple University in Philadelphia, PA. James an Associate Professor of Theatre at Villanova University. He resides in South Philadelphia.
Monteze Freeland
Director
MONTEZE FREELAND (Director) is a multi-disciplinary artist from Baltimore, MD whose talents include acting, directing, writing, producing and teaching. Monteze is the current Co-Artistic Director of City Theatre Company and was named City Paper’s Person of the Year for Theatre in 2021, in addition to being named the Performer of the Year in 2017 by the Post-Gazette. Select directing credits include: The Santaland Diaries, The Young playwrights Festival ‘17 & ‘21, Claws Out: A Holiday Drag Musical, The Garbologists, and Clyde’s (City Theatre Company); King Hedley II & Fences (Co-Director with Mark Clayton Southers), Savior Samuel, Miss Julie, Clarissa and John, Christmas Star and Poe’s Last Night (Pittsburgh Playwrights Theatre Company); I Know Why The Caged Bird Sings (Prime Stage Theater); Hairspray, Shrek, The Addams Family, and Freaky Friday (CLO Summer Academy); readings of Trouble in Mind and The Coffin Maker (Pittsburgh Public Theater). Many thanks to the incredible cast, design team, community partners, and City Theatre staff.
Maria Becoates-Bey
Tedra
MARIA BECOATES-BEY (Tedra) is thrilled to be back on stage at the City Theatre. Previous credits include Intimate Apparel, Crowns, Constant Star, Spunk, and Woody Gutherie’s American Song. Other credits include Vera Stark (Pittsburgh Playhouse); Doubt (Pittsburgh Irish & Classical Theatre); Don’t Dress for Dinner (Mountain Playhouse); Hairspray, The Full Monty, Jesus Christ Superstar (Civic Light Opera); The Goodbye Girl; Litte Shop of Horrors, Boogie Wonderland 1st American Production, Beehive, Jesus Christ Superstar, and many more (Pittsburgh Musical Theatre). Television Series include “Banshee”. Film credits include “Anything’s Possible”; “The Haunting Hours”; “Renegade Force”; and “Iron Maze.”
Brandon Foxworth
Juicy
BRANDON FOXWORTH (Juicy) is a Queer minister, theatre artist and educator from Detroit,MI. He holds an MFA in Drama (UC Irvine) and BFA in Theatre Performance (Western Michigan University). Theatre credits include Sir Andrew Aguecheek in Twelfth Night (Lyric Rep Co.); Bono in Fences (Lyric Rep Co.); Joshua/Associate in The Christians (Farmers Alley Theatre); and Othello in Classic Couples Counseling (Theatre West Co.). Film credits include Nurse Hector in “Moving On” (Hulu). He is immensely honored to play Juicy and hopes folks leave inspired and changed from this rare but necessary story. (Matt 6:33) brandonfoxworth.com
Elexa Lindsay Hanner
Opal
ELEXA LINDSAY HANNER (Opal) was born and raised in Pittsburgh. Joining this production has been life changing in the best of ways.She holds a BFA in Musical Theater from Penn State University ’21 .Past credits include: The Pittsburgh Public Theater - A Midsummer Night's Dream In Harlem (Production Understudy), Pittsburgh Playwrights Theatre - The Double V (Annie Culver), Pyramid Builders (Maya / Satya), Jitney (Rena), Pittsburgh CLO’s Gallery Of Heroes – The Boy From Troy (Rosa Parks / Chicken Ursula), and The Alumni Theater Company - Professional Ensemble & Young Artists Choreographer. Elexa is also committed to leading the youth through theater, choreography, and teaching dance. Along with teaching dance, she is also a professional dancer with Staycee Pearl’s Dance Project & Soy Sos. She would like to thank City Theater, Staycee Pearl, and The Alumni Theater Company for giving her a chance to grow within her artistic journey throughout the past year. She is also thankful for everyone else that supports and loves her! IG: elexawithane
Linda Haston
Rabby
LINDA HASTON (Rabby) is a AEA actress, singer, teaching artist and director. She has directed and/or performed on the stages of local theatre companies which include Off the Wall Theater, Quantum, Bricolage, New Horizon, The Public Theatre, PICT, Arcade Comedy Theatre and Prime Stage Theatre. She recently performed at City Theatre in the 2023 Momentum series and last year directed 4 plays for the Young Playwright Series. She performed in 2005-2006 season with Crowns and Lynn Nottage’s Intimate Apparel. She has performed her acclaimed one woman show Mother Lode written by Virginia Wall Gruenert, Artistic Director of Off the Wall Theatre Productions in Rep and in 2018 performed it in New York and in June of 2023 performed it in Reykjavik, Iceland. She is the Education Director for Prime Stage Theatre.
Khalil Kain
Rev/Pap
KHALIL KAIN (Rev/Pap) is best known for his work in the urban classic film JUICE. The character of Raheem still resonates deeply in hoods all over the world. As the character Darnell in the sitcom GIRLFRIENDS, Khalil played Maya’s husband for six seasons. Playing Pap/Rev in Fat Ham will mark Khalil Kain’s third time on this stage having performed in City Theatre’s production of Pipeline by Dominique Morisseau and Clyde’s by Lynn Nottage.
LaTrea Rembert
Larry
LATREA REMBERT (Larry) is thrilled to be making his debut with City Theatre! Originally from Cincinnati, LaTrea is a multi-disciplinary artist, choreographer, and teacher here in Pittsburgh. He currently serves on faculty at The CLO Academy, The Alloy School, Pittsburgh Musical Theater, and has been an adjunct professor in modern and jazz dance at Point Park University. LaTrea is also a senior company dancer with the STAYCEE PEARL dance project & Soy Sos, where he has been for the past 10 seasons. Recent/favorite theater credits include: The Devil Is A Lie (Dogg, World Premiere) with Quantum Theater; Once On This Island, Kinky Boots, The Wizard of Oz (Palace Guard),and Spamilton: An American Parody with The Pittsburgh CLO; The Scottsboro Boys, Wig Out!, Choir Boy with The REP; and Dreamgirls (Jimmy Early) with Pittsburgh Musical Theater.
Jordan Williams
Tio
JORDAN WILLIAMS (Tio) is extremely excited to be making his City Theatre debut. Jordan was raised in Los Angeles, California and earned his B.F.A in Journalism and Public Relations (Tougaloo College). Most recently, Jordan earned his Acting M.F.A from the University of Arkansas. Jordan’s credits include: Arkansas Shakespeare Festival: Much Ado About Nothing (Claudio), The Tempest (Ferdinand), New Stage Theatre: Sweat (Chris). Check out Jordan at comedy clubs like the World Famous Comedy Store in Hollywood. Follow Jordan on all social media platforms to keep up with his Stand-Up Comedy and Acting journey! @ImportantJordan
Sasha Jin Schwartz
Scenic & Projections Design
SASHA JIN SCHWARTZ Sasha is a theater scenic designer and artist inspired by family and how spaces tell stories. Selected Designs: Fat Ham, What the Constitution Means to Me (City Theatre Company), Dragon Lady (Pittsburgh Public Theater), The Devil is A Lie (Quantum Theatre), Kentucky (Pittsburgh Playhouse), Pinocchio (Arden Theatre Company), Little Shop of Horrors (Virginia Theatre Festival), The Thanksgiving Play (Dorset Theatre Festival), Off Peak (59e59). Recognition: Prague Quadrennial Featured Emerging Designer, Theatre Communications Group Rising Leader of Color, Pittsburgh Children's Museum F.I.N.E Artist In-Residence. She is an advocate for representation of BIPOC and queer voices in the arts, and access to the arts for all. Teaching Artist with Pittsburgh Center for Creative Reuse. BFA Carnegie Mellon University School of Drama. www.sashaschwartzscenic.com
Alexis Carrie
Costume Design
ALEXIS CARRIE (Costume Designer) is a LA based costume designer and textile artist. Recent and upcoming film, television and theatrical credits include Alice’s Wonderland ( South Coast Repertory), The Past: A Present Yet To Come (InHouse Theater), A Place of Bones (Goldrush Entertainment), Legacies Season 4 (Warner Brothers) What to Send Up When It Goes Down (Congo Square Theater) Untitled Baby Play (IAMA Theater). Originally from Washington D.C, she has an MFA in Costume Design from Carnegie Mellon University and a BA in Interdisciplinary Studies in the Humanities from the University of Chicago. She is an alum of the artEquity National Facilitator training and seeks to bring the practices of equity and inclusion to all her projects. She is a proud founding member of First Floor Theater in Chicago. You can find her work at alexiscarrie.com
John D. Alexander
Lighting Design
JOHN D. ALEXANDER (Lighting Designer) OFF-BROADWAY: Lambs 2 Slaughter (Cherry Lane Theatre) and Migration: Reflections on Jacob Lawrence (New Victory Theater). Recent designs include: Sanctuary Road (Virginia Opera); Packages O’ The Things We Carry (Nat’l Black Theatre); Confederates (Mosaic Theatre Co.); Selling Kabul (Signature Theatre); From the Mississippi Delta (Westport Country Playhouse); Crying on Television (Everyman Theatre); Quamino's Map (Chicago Opera Theatre); B.R.O.K.E.N. Code B.I.R.D. Switching (Berkshire Theatre Group); Sheepdog and The House of the Negro Insane (Contemporary American Theatre Festival). Upcoming designs include: What Will Happen to All That Beauty (Contemporary American Theater Festival) and Clydes (Detroit Public Theater). www.JohnDAlexanderLightingDesign.com
Howard Patterson
Sound Design
HOWARD PATTERSON returns to TheatreSquared, where he was the sound designer for Fat Ham. He is a Pittsburgh based sound designer, audio engineer, and educator. He has worked on many projects in and around Pittsburgh and is passionate about sonic storytelling. Recent designs have been heard at City Theatre Company, Quantum Theatre, and Pittsburgh Playhouse. Howard received his BFA from Point Park University. Howard is an Assistant Teaching Professor of sound design at the University of Pittsburgh.
Taylor Meszaros
Stage Manager
TAYLOR MESZAROS
Production Stage Manager
She/Her
TMeszaros@citytheatrecompany.org
Taylor K. Meszaros (she/her) is in her 15th season at CTC. She spends her time as an AEA Stage Manager and as a Standardized Patient for local university medical programs. Select regional credits include King James (Cleveland Play House), Somewhere Over the Border (People’s Light), Fat Ham (TheatreSquared), White Christmas, The Skin of Our Teeth, Hair! (Berkshire Theatre Group), 12th Night, Frida… A Self Portrait, Young Americans, Two Trains Running, and Schoolgirls…(Pittsburgh Public Theatre), Louisa May Alcott’s Little Women, Another Kind of Silence, POTUS, Native Gardens, The Garbologists, What the Constitution…, Cambodian Rock Band, The Burdens, Where Did We Sit…Bus?, The Absolute Brightness…, Wild With Happy, Feeding the Dragon, Smart Blonde, and Sam Bendrix at the Bon Soir (City Theatre Company). She is eternally grateful for the Pittsburgh arts community and its patrons.
Dexter J. Singleton
Dramaturg
Dexter J. Singleton is the Director of New Play Development at TheatreSquared, where he has directed A Raisin in the Sun, A Christmas Carol, Detroit ‘67, and others. He is a director, producer, activist, and educator from Detroit, MI. He is also the Executive Artistic Director of Collective Consciousness Theatre (CCT), a multicultural theatre for social justice in New Haven, CT, which has reached thousands of youth and adults with plays and workshops across the U.S. and Europe since 2007. CCT has produced the work of playwrights Dominique Morisseau, Idris Goodwin, Jackie Sibblies Drury, Katori Hall and many others. His directorial work has been seen at TheatreSquared, Pittsburgh Public Theater, San Diego Repertory Theatre, Playhouse on Park, Connecticut Repertory Theatre, University of Michigan, University of Arkansas, Long Wharf Theatre, and many others. Recent credits include Blood At The Root, Kill Move Paradise, Sweat, Skeleton Crew, North of Forbes, Baton, The Mountaintop, and Topdog/ Underdog. He is a member of the Artistic Ensemble at Long Wharf Theatre and a former Visiting Assistant Professor of Performance at the University of Connecticut. He was awarded the 2021 BroadwayWorld Regional Award for Best Director of a Streaming Production for his work on Kill Move Paradise. He is the recipient of the 2019 Artistic Excellence Award from the State of Connecticut and Distinguished Director of a Play for Black Book from The Kennedy Center/American College Theatre Festival.
Samuel G.C. Munoz
Fight Choreographer
SAMUEL G.C. MUÑOZ Career highlights include numerous productions at City Theatre, Marvel & Kenneth Branagh’s feature film THOR (Asst. Motion Capture Stunt Coordinator), 2Households 2Assholes:Shakespeare’s R&J (Creator), Clint Eastwood’s Invictus (Asst. Motion Capture Coord.). His craft has been seen at the Chicago Shakespeare Theater, Defiant Theatre -Chicago, Off Broadway, Amazon, Hulu, Ravenna Nightmare Film Fest-Italy, many film festivals and universities. He is Creator of RADMOON Prods. & Ints., Associate Professor of Movement, Stage Combat & Acting at Point Park University COPA, Fight Director & Certified Teacher with the Society of American Fight Directors (SAFD), & member of the Society of Directors and Choreographers (SDC), AEA & SAG-AFTRA. ¡Mucho amor para mi esposa Jordan Maya y mis hijos Ciel y Cousteau!
Tome Cousin
Intimacy Director
Tome’ Cousin is a leading voice in theatrical intimacy advocacy, Tome’ is coming directly from his 2nd season as resident intimacy coordinator for Pittsburgh Civic Light Opera. Last season at City Theatre he provided the intimacy process for Clyde’s, and Paradise Blue, and Pittsburgh Public Theater’s A Raisin in The Sun, and Murder on The Orient Express. Other theater companies: Quantum Theatre, New Hazlett Theater, Florida’s Asolo Rep, and multiple productions at the Pittsburgh Playhouse and Carnegie Mellon University. Film: The Pale Blue Eye (Netflix), Anything’s Possible (Orion). Upcoming: Rustin (Netflix), The Deliverance (Netflix), NYAD (Netflix). Training: Theatrical Intimacy Education, and Intimacy Coordinators of Color. Also, a certified Mental Health First Aid and Intimacy Captain, Tome’ has led multiple training workshops and was a featured speaker at the first Intimacy Coordinators of Color Conference in New Orleans 2023. Also, a director and choreographer Tome’ is a faculty member at Carnegie Mellon University and an assistant faculty at Theatrical Intimacy Education.
City Theatre Company is pleased that you are encouraging your children to attend live theatre and the bold new work that we produce. To ensure that everyone enjoys the show, below is our policy for children attending City Theatre performances. Please note that not every production is suitable for children and we encourage you to seek additional information on each show you consider attending in order to make an informed decision on whether a show is appropriate for your child.
- Tickets may NOT be purchased for children under the age of 3.
- Children under the age of 3 will NOT be admitted to the theater.
- No child will be admitted into the theater without a ticket.
- Any ticket for a child must be for a seat next to the seat occupied by the adult accompanying the child.
- Children must sit in their purchased seat and NOT on the lap of an adult.
- Children disturbing the enjoyment of other theater patrons may be removed from the theater at the discretion of the House Manager. NO ticket refund will be given.
- Children 12 and younger MUST be accompanied by an adult.
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